12 Angry Men (1957)
12 Angry Men: Summary and initial thoughts
This is one of the most stressful movies I've ever watched, and it's worth every one of the hairs standing at attention at the back of my neck. For a film that's nothing but a bunch of men arguing with each other in a locked room, 12 Angry Men is suspenseful, thoughtful, and attention-demanding, supported by twelve powerhouse performances.This film follows twelve jurors tasked with determining the guilt of a young man from the slums, who has allegedly murdered his father. The judge imposes the standard of reasonable doubt: if there is a reasonable doubt about the boy's guilt, the jury must come to a verdict of not guilty.
And so it begins. Henry Fonda plays Juror 8, at the start the only juror who questions the assumptions of the other men that the defendant is guilty. He demands discussion before a verdict is reached, and as he argues his case, the biases and interests of the other eleven men emerge: the man who grew up in the slums and doesn't take kindly to prejudice against "slum kids"; the business owner estranged from his son and who is heavily vested in a guilty verdict; the salesman who would rather be at the baseball game he's missing. Twelve men, twelve perspectives, twelve reasons to vote one way or another. What will they do?
Why is 12 Angry Men on the National Film Registry?
My favorite moments in 12 Angry Men
- The knife. Oooh, when that switchblade clicks open, you can practically feel the tension in the room. The intensity is almost unbearable.
- Juror 3 changing his vote. Juror 3 is so confident at the start, and it's fascinating to watch the cracks appear in his facade, exhilarating to see them spread out until at last he crumbles, unable to sustain his own anger.

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